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In each case the creator, Tyrell and Pierce Patchett, has made what they think is a desirable female archetype designed to be a commodity, in each case what aesthetically could be described as a femme fatale.
New York: Routledge, Alex Douet film noir trope of post-war anxiety about female emancipation. The woman as depicted in Blade Runner reflects a postmodern concern over increased production line sexuality and female perfection that is manufactured for mass consumption and induced by urbanisation.
When trying to hide in Fig Still from Blade Runner, dir. Los Angeles in search of Tyrell, Pris and Zhora use their sexuality as a disguise. This gives them mobility in the urban landscape; no one questions their presence or disturbs them until Deckard finds them.
This physical removal makes her less mobile and at ease than Pris and Zhora who a literally programmed to survive in this habitat. The choice of Los Angeles as a backdrop to both films comes with a layer meaning all of its own. It is also home to Hollywood, the ultimate symbol for the creation of recorded dreams and fantasies.
Blade Runner and LA Confidential explore the loss of identity and disposability of humanity in the urban landscape. He is an outsider and refuses to adhere to the status quo, but struggles because of this. The Blackwell City Reader. Alex Douet Exley to triumph. It is only when Bud and Exley put their differences aside and work together that either of them is truly successful. Jack Vincennes is an outsider of a different kind; he openly accepts bribes and immerses himself in the corruption of Los Angeles at every level.
He has lost whatever his identity was and has become dehumanised by money, satisfying himself with the superficial gains afforded to him by being a part of the corrupt city. As he begins to see the error of his ways and regrets that he has been a part of the amoral system for so long, he tries to do the right thing and regain his identity and integrity, but is almost immediately killed by the forces that control the city because of his desire to subvert his role.
In Blade Runner Deckard exemplifies the noir trope of the hard boiled detective. He is deeply cynical about his environment and all those he encounters, reveals little about his true self and is morally ambiguous. Like the hard Fig Still from Blade Runner, dir.
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